Three equal channels. A carrier and modulator in each. Four envelopes per channel, always visible. HEXAGON FLEX turns complex movement into something you can see, touch and play — without hiding the architecture that creates it.
Technology should deepen expression — never stand between you and the music.
Every channel is a complete carrier/modulator voice with independent tuning, stereo position, waveform, FM depth, keyboard response, level and filtering. Start with one voice, layer all three, or give each layer an entirely different role.
Carrier WAVE and modulator SHAPE move continuously from sine through saw to square using phase shaping inspired by the spirit of classic phase-distortion instruments. Sixteen modulator ratios from 0.5 to 16, plus continuous C.FINE, open the spaces between the obvious harmonics.
AMP, FM, FILTER and WAVE each use six directly draggable points. Intensity and velocity are immediately accessible, while rate scaling keeps articulation musical across the keyboard. A moving point shows where every envelope is while you play — its size mirrors your velocity.
CLASSIC offers 12/24 dB low-, band- and high-pass responses. COMB becomes a tuned resonant element from 40 Hz to 8 kHz. FORMANT moves through A–E–I–O–U resonances, independently offset per channel. Aftertouch can push the filter as part of the performance.
Twenty-four voices, up to eight unison voices per note, detune and stereo width provide scale. MONO, LEGATO, Glide, independent bend ranges, mod wheel, aftertouch and sustain provide touch. Synchronized or free oscillator phases let precision and organic movement coexist.
Two freely routable LFOs, real-time post-filter oscilloscopes for all three channels, channel copy/paste and mute, direct MIDI Learn and a scalable 55–160% interface keep deep synthesis visible and approachable. COLORS gives twelve editable colour groups plus global hue control.
127 factory sounds · 4 × 64 bank locations · AU · VST3 · Standalone · macOS · Modulation, Delay and Reverb · Low Boost · Mid Boost · Excite · Extreme